| EXHIBITS & AWARDS PAST GALLERY
  AFFILIATIONS 
  
   
    | Comsky Gallery | Beverly
    Hills, CA  |  
    | Arwin Gallery | Detroit,
    MI |  
    | Morgan
    Gallery | Kansas
    City, MI |  
    | La
    Magna Gallery | NY,
    NY |  
    | OK
    Harris | NY,
    NY |  
    | Genesis
    Galleries | NY
    & London |  
    | ACA
    Galleries | NY,
    NY |  
    | Fischbach Gallery | NY,
    NY |  
    | Seder-Creigh Gallery | San
    Diego, CA |  
    | Contemporary
    Arts | Santa
    Fe, NM  |  
    | Gallery
    5 | Santa
    Fe, NM |  
    | Young
    Artists Cooperative | Santa
    Fe, NM |  
    | Mirrors
    of the Mind | Seattle,
    WA |  
    | Second
    Storey Gallery | Seattle,
    WA |  
 
  
 SOLO EXHIBITIONS
  
  
   
    | Elizabeth
    Wiener Gallery | New
    York, NY | 1980 |  
    | Millhouse
    Bundy Gallery | Waitsfield,
    VT | 1980 |  
    | Johnson
    Gallery | Middlebury
    College, VT | 1979 |  
    | Seder-Creigh Gallery | San
    Diego, CA | 1976 |  
    | Southwestern
    College Art Galleries  | San
    Diego, CA | 1976 |  
    | La
    Magna Gallery | New
    York, NY | 1975-76 |  
    | Comsky Gallery | Beverly
    Hills, CA | 1975 |  
    | Downey
    Museum of Art | Los
    Angeles, CA | 1975 |  
    | University
    of California Art Galleries | Santa
    Barbara, CA | 1974 |  
    | Parnasus, University of Washington | Seattle,
    WA | 1972 |  
    | Second
    Storey Gallery | Seattle,
    WA | 1972 |  
 
  
 INVITATIONAL
  GROUP EXHIBITIONS
  
   
    | EXHIBITION NAME | LOCATION | CITY & STATE | YEAR |  
    | "Discoveries"
     | Everson
    Museum of Art | Syracuse,
    NY | 1980 |  
    | "The
    New Realism" | Dartmouth
    College | Dartmouth,
    NH | 1980 |  
    | "New
    Talent" | Genesis
    Gallery | NY,
    NY | 1978 |  
    | "8
    California Artists" | Comsky Gallery | Beverly
    Hills, CA | 1977 |  
    | "Four
    Realists" | ACA
    Gallery | NY,
    NY | 1977 |  
    | "Gallery
    Artists" | Seder-Creigh Gallery | San
    Diego, CA | 1977 |  
    | "Varicose
    Friends" | Masonic
    Temple | San
    Diego, CA | 1977 |  
    | "Collector's
    Choice" | Comsky Gallery | Beverly
    Hills, CA | 1976 |  
    | "New
    Realism" | Mt.
    SAC Art Galleries, Mt. San Antonio College | Los
    Angeles, CA | 1976 |  
    | "October
    Exhibition" | Juror
    & Guest Artist, San Diego Art Institute | San
    Diego, CA | 1976 |  
    | "What's
    Happening in the LA Art Scene" | Comsky Gallery | Beverly
    Hills, CA | 1976 |  
    | Art
    Faculty Exhibition | San
    Diego State University | San
    Diego, CA | 1976 |  
    | "American
    Painters in Paris" | ARGRAF,
    C.I.P. Paris Convention Center | Paris,
    France | 1975-76 |  
    | New
    Artists | Los
    Angeles County Museum of Art | LA,
    CA | 1975-76 |  
    | Newport
    Museum of Art |   | Newport
    Beach, CA | 1975-76 |  
    | "Works
    on Paper" | Occidental
    College | Los
    Angeles, CA | 1975 |  
    | Art
    Faculty Exhibition | San
    Diego State University | San
    Diego, CA | 1975 |  
    | University
    of California Art Galleries |   | Santa
    Barbara, CA | 1974 |  
    | "Art
    Perspectives 73" | (international
    traveling exhibit) | London,
    England | 1973 |  
    | Graduate
    Exhibition | University
    of California Art Galleries | Santa
    Barbara, CA | 1973 |  
 
  
 COMPETITIVE
  EXHIBITIONS 
  
   
    | EXHIBITION NAME | LOCATION | CITY
    & STATE | YEAR |  
    | "Art
    for 1976" | Southern
    California Expo Art | Del
    Mar, CA | 1976 |  
    | ERA
    All Media Juried Exhibition | ERA
    Gallery | Escondido,
    CA | 1976 |  
    | 15th Annual La Mirada Fiesta de Artes |   | La
    Mirada, CA | 1976 |  
    | Pasadena
    Festival of the Arts  | First
    Annual Juried Art Show | Los
    Angeles, CA | 1976 |  
    | Inland
    Exhibition XII |   | San
    Bernardino, CA | 1976 |  
    | San
    Diego Fine Arts Guild All Media Exhibition | Fine
    Arts Museum | San
    Diego, CA | 1976 |  
    | San
    Diego Art Institute  | 23rd
    Annual Art Exhibition | San
    Diego, CA | 1976 |  
    | 14th
    Annual All California Award Show | Jewish
    Community Center | San
    Diego, CA | 1976 |  
    | California-Hawaii
    Biennial | San
    Diego Fine Arts Museum | San
    Diego, CA | 1976 |  
    | Southwest
    Fine Arts Biennial | New
    Mexico Fine Arts Museum | Santa
    Fe, NM | 1976 |  
    | 40th
    Annual Santa Paula Art Exhibit |   | Santa
    Paula, CA | 1976 |  
    | "Art
    for 1975" | Southern
    California Expo Art | Del
    Mar, CA | 1975 |  
    | 21st
    All California Show | Laguna
    Beach Museum of Art | Laguna
    Beach, CA | 1975 |  
    | 23rd
    All City Arts Festival | L.A.
    Municipal Arts Gallery | Los
    Angeles, CA | 1975 |  
    | 17th
    Annual Art Unlimited | Downey
    Museum of Art | Los
    Angeles, CA | 1975 |  
    | La Mirada 14th Annual Fiesta de Artes | La
    Mirada | Los
    Angeles, CA | 1975 |  
    | "American
    Painters in Paris" | C.I.P.
    Paris Convention Center | Paris,
    France | 1975 |  
    | Art
    Expo | California
    State Exposition | Sacramento,
    CA | 1975 |  
    | Inland
    Exhibition XI |   | San
    Bernardino, CA | 1975 |  
    | 13th
    Annual All California Award Show | Jewish
    Community Center | San
    Diego, CA | 1975 |  
    | "Art
    for 1974"  | Southern
    California Expo Art | Del
    Mar, CA | 1974 |  
    | International
    Artist of the Year Competitions | Huntington
    Beach | Los
    Angeles, CA | 1974 |  
    | MPAA
    Annual Open Art Competition |   | Los
    Angeles, CA | 1974 |  
    | Buena
    Park Annual Arts Festival |   | Los
    Angeles, CA | 1974 |  
    | All
    California Exhibition | Palos
    Verdes Museum | Los
    Angeles, CA | 1974 |  
    | Traditional
    Artists Show |   | San
    Bernardino, CA | 1974 |  
    | Inland
    Exhibition X |   | San
    Bernardino, CA | 1974 |  
    | Grand
    Galleria | 3rd
    Annual National Art Competition | Seattle,
    WA | 1974 |  
    | 7th
    Annual Conejo Valley Arts Festival |   | Thousand
    Oaks, CA | 1974 |  
    | National
    Orange Show Art Exhibition |   | San
    Bernardino, CA | 1973 |  
    | Edmonds
    Annual Arts Fair |   | Edmonds,
    WA | 1971 |  
    | Drawing
    and Painting Exhibition | University
    of Washington | Seattle,WA | 1971 |  
    | Art
    Trap |   | Seattle,WA | 1971 |  
    | 25th
    Annual Pacific Northwest Arts Exhibition |   | Seattle,WA | 1971 |  
    | Burien
    Annual Arts and Crafts Festival |   | Seattle,WA | 1971 |  
 
  
 EXHIBITION
  AWARDS 
  
   
    | EXHIBITION |  | AWARD | CITY & STATE | YEAR |  
    | "Art
    for 1976" |   | Best of Show |   | 1976 |  
    | Southern
    California Expo Art |   |  | Del
    Mar, CA | 1976 |  
    | Pasadena
    Festival of the Arts  | First
    Annual Juried Art Show | Second Prize | Los
    Angeles, CA | 1976 |  
    | San
    Diego Art Institute  | 23rd
    Annual Art Exhibition | Second Prize | San
    Diego, CA | 1976 |  
    | California-International
    Artist of the Year Award |   | Best of Show, First Prize |   | 1975 |  
    | "Art
    for 1975" | Southern
    California Art Expo | Second Prize | Del
    Mar, CA | 1975 |  
    | "Art
    for 1974" | Southern
    California Expo Art | First Prize &
    Honorable Mention | Del
    Mar, CA | 1974 |  
    | California-International
    Artist of the Year Competitions |   | Third Prize | Huntington
    Beach, CA | 1974 |  
    | 17th
    Annual Art Unlimited | Downey
    Museum of Art | First Prize &
    Purchase Award | Los
    Angeles, CA | 1974 |  
    | MPAA
    Annual Art Competition | Monterey
    Park | Best of Show | Los
    Angeles, CA | 1974 |  
    | Edmonds
    Annual Arts Fair |   | Juror's Choice | Edmonds,
    WA | 1971 |  
    | Art
    Trap |   | Best of Show | Seattle,
    WA | 1971 |  
    | Burien
    Annual Arts and Crafts Festival |   | First Prize | Seattle,
    WA | 1971 |  
    | 25th
    Annual Pacific Northwest Art Exhibition |   | Best of Show & First
    Prize | Seattle,
    WA | 1971 |  
    | University
    of Washington Drawing and Painting Exhibition |   | Highest Award | Seattle,
    WA | 1970 |  
 
  
   
  
   
    | Letter From Mark Rendleman Lynn MagruderGrants Coordinator
 New Mexico Arts Division
 Santa Fe, N.M. 87501
 Dear Lynn,
 After speaking to you about developing a more
    current resume of my non-painting activities I began looking back through
    my notebooks and collected memorabilia to remember what I have been doing.
    I quickly became overwhelmed. I have put so much energy into keeping up
    with my creative desires that keeping track of them was the last thing on
    my mind. (My last painting resume, the one I sent to you, only exists
    because I was pursuing my teaching career and I had a friend who was good
    enough to keep track of such things.) I have worked hard at not holding on
    to non- productive memories. Dates, places, and even names have become
    obscured. Even more frustrating for assembling such a resume is assigning a
    relative value to the various activities. What I remember as significant
    may seem insignificant to others. I can drop names and relate various
    associations that might impress someone knowledgeable in the performance,
    video, film, or music world, since most of the work is cooperative and
    associations are inherent. But what I would define as significant is most
    probably obscure except to those who have shared the experiences, as
    audience or participants. And most of what I have been doing I have stopped
    calling Art, partly because the contexts in which my work gets presented ie. nightclubs, theatres, a
    church, a convention center, and TV. It also seems unfair to claim as my
    art that in which so many have participated. I have been most fulfilled as
    a facilitator, a coordinator, and hopefully a teacher. I have always been
    uncomfortable with general or public recognition regarding my personal
    work. What remains most important to me is my education, the general
    expansion of knowledge and human experience, and what I can give to others,
    not the recognition my products or even a particular audience at this
    point.
 Excuse me for becoming so personal, but my
    consideration of doing a resume has been an involving experience that has
    led me back through my past, a place I have left behind. One of my
    realizations has been that perhaps I may not be a suitable nominee at this
    point (particularly if a formal current resume is essential). I had hoped
    to be of some service, but there are other times and opportunities. In the
    mean time, I have become intrigued with the idea of doing a current resume,
    to put my life in perspective, so when I have the time I will indulge in having
    the information tracked down. However it will take at least a few weeks,
    especially to get dates, so for now I will make an attempt to give you a
    general brief of my non-painting, or non-art/academic experiences :
 
     Early 1970's - Work
         published on visual perception. Bausch-Lomb Award. Prize for paper on
         visual illusions.Mid 1970's- Formed
         MER Arts Corporation for the creative development of others. Later
         this branched into MER Art Services for creative and professional
         media development, primarily in film and then video. Finished first
         films including "Home", "To and From",
         and "Evolution of the Image"(a teaching film). 1975-77 - Various
         performance art pieces and multi-media events, primarily in San Diego,
         California.1977-1982 - Various
         performance art pieces on East coast (primarily Vermont and New York)
         including "The Image", "The Maul Dancer",
         "Who Stole Art?" and "Why Now?".
         Edited and published book "Continuous Nonsense and Other Fantasy
         Sources". Completed several films and videos including "Coast
         to Coast", "The Rafts of Gods", a couple documentaries
         on art process, several commissioned dance performance videos and rock
         music videos (pre-MTV). Also commercial art consultant work for
         channel 3 TV, Vermont. 1978- Made my first
         million dollars (primarily through investing). I mention this because
         it may be the most important application of my art and perceptions,
         and certainly suggests why I have been able to be so generous and do
         what I have done with Art.1979-80's - Formed The Alibi, Inc. for the development of performance
         arts as entertainment (making art accessible). Developed real estate,
         Starr Mill, (purchased, designed, and renovated an old mill into a
         performing art center, night club, theatre, gallery/restaurant and
         sales). Began art networking group for promotion of new art, primarily
         new music.Early 80's - Began
         working with sound/experimental music, initially for film tracks then
         for commissioned dance and theatre pieces. Member of
         "R.E.D." (Radical Entertainment Development) a new music and
         video performance group (including Ottmar
         & Stefan Liebert) based in Boston that
         produced 3 records and several videos. Also performed with
         "Working Unit" initially from France, then Los Angeles, and
         now New York known as "Soma Holiday", combining new music,
         dance, art performance and video. Most presentations made in clubs
         such as: the Pyramid, 8BC, and the Ritz in New York; the Channel and
         S.P.I.T. in Boston; and L.H.A.S.A and Club Lingerie in Los Angeles, working
         with various artists and groups. Worked as art consultant or
         videographer on several music videos and experimental films.  Most of what I have done over the past few
    years has been for the fulfillment of other people's desires. The products
    usually have not met my personal standards for which I would want to accept
    credit. The above outline is intended only as a reference for the kind of
    experiences in which I have been involved. These experiences have been
    valuable with regard to committee work since they have generally involved a
    high degree of cooperative effort.
 Thank you for your interest and considerations.
 Sincerely,Mark Rendleman
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